Stretched out
In Moro’s Abbassamento you have to look for the faces of the thousand paper dolls on the background of toy models in printed paper. It must be a less deadly army than the one that wiped out Music’s figures. They’re not the last ones, but we won’t be the last ones either.
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Zoran Music, Non siamo gli ultimi, 1971, olio su tela, cm. 114 x 146 Liliana Moro, Abbassamento, 1992, carta e plexiglass, installazione (ambiente di cm. 350 x 400 ca) |