What a cube!
Replying to the vertical sculptures of Icaro and Messina, two equally brisk works on the cube. Staccioli pierces it and solves the problem of how to move it. Coletta squashes it on-site, but the photo can’t explain the virtuosity of a real or merely suggested sheet of glass with a taut cord.
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Mauro Staccioli, Senza titolo, 1984, cemento e ferro, cm. 50 x 50 x 200 Pietro Coletta, Sguardo e luogo, 1987, gesso e molle di acciaio, cm. 40 x 400 x 400 |