Zig Zag in the collection of MAMbo

Stretched out

In Moro’s Abbassamento you have to look for the faces of the thousand paper dolls on the background of toy models in printed paper. It must be a less deadly army than the one that wiped out Music’s figures. They’re not the last ones, but we won’t be the last ones either.

Zoran Music, Non siamo gli ultimi, 1971, olio su tela, cm. 114 x 146 Liliana Moro, Abbassamento, 1992, carta e plexiglass, installazione (ambiente di cm. 350 x 400 ca)

Zoran Music, Non siamo gli ultimi, 1971, olio su tela, cm. 114 x 146 Liliana Moro, Abbassamento, 1992, carta e plexiglass, installazione (ambiente di cm. 350 x 400 ca)